
1. Kajarya by Madhureeta Anand An assured second feature, and a strong, original voice about female foeticide in India, the film questions notions of women’s emancipation, and explores how India lives in many centuries at the same time. A Delhi journalist exposes a woman, believed to embody Goddess Kali, who ritually kills girl children in a village near Delhi. Co-produced by Q’s Overdose Films, the film had a world premiere at the Dubai International Film festival.
2. Kanyaka Talkies (Virgin Talkies) by KR ManojA superb debut feature in Malayalam, it is a satire about a run-down porn cinema theatre in rural Kerala, that is transformed into a new church. It stars Murali Gopy and Lena.
It was deservedly the opening film of the Indian Panorama at the International Film Festival of India. It not only intertwines meaty ideas about cinema, religion and repressed sexuality, but is shot with distinctive visual flair by Shehnad Jalal, and has good sound design. The film explores insanity and hypocrisy, and how independent women, stifled by small, claustrophobic societies, come to a bad end.
4. Bombay Velvet by Anurag KashyapThe first of a planned trilogy on how Bombay city became a metropolis, it is set against a backdrop of love, greed, violence—and jazz—from the ’50s to the ’70s. The film stars Ranbir Kapoor, Anushka Sharma and Karan Johar, and is co-produced by Fox Star Studios and Phantom Films. Kashyap, of course, is presiding deity of independent Indian cinema: His Ugly was at Cannes, and he also co-produced The Lunchbox and Monsoon Shootout, both of which were also at Cannes.