Forbes India 15th Anniversary Special

The Movers & Shakers of Film Production

Celebs who spun magic behind the silver screen and raked in the moolah

Published: Dec 17, 2013 06:07:13 AM IST
Updated: Dec 12, 2013 06:09:11 PM IST

The Movers & Shakers of Film Production

Siddharth Roy Kapur / Ronnie Screwvala

The honchos at Disney-UTV Studios (formerly UTV Motion Pictures) have straddled commercial and arthouse cinema with élan over the years. And the last 12 months were no different. From blockbuster successes like Chennai Express and Race 2 to fresh, youthful offerings like Kai Po Che! to indie hits like Ship of Theseus and The Lunchbox, Roy Kapur and Screwvala have gauged audience tastes better than most producers. The former also made waves with his marriage to actress Vidya Balan late last year.

Films: Race 2, Chennai Express, Satyagraha, Ghanchakkar, Himmatwala, Kai Po Che!, ABCD; distributed Ship of Theseus and The Lunchbox

The Movers & Shakers of Film Production

Karan Johar
Johar dons many hats—producer, director, TV host, reality show judge. With Student of the Year, he returned to his first love, direction, after nearly four years. The film collected handsomely at the box, and launched three new faces. Johar’s Dharma Productions produced Yeh Jawaani Hai Deewani which became the second-biggest hit of the year earning Rs 190 crore.

Films: Yeh Jawaani Hai Deewani, Student of the Year, Gippi; distributed The Lunchbox

The Movers & Shakers of Film Production

Aditya Chopra
The reticent son of the late Yash Chopra runs the Rs 3,000-crore film and entertainment behemoth Yash Raj Films (YRF). He produced his father’s last directorial project, the Shah Rukh Khan-starrer Jab Tak Hai Jaan, which collected Rs 121 crore at the box office. Y-Films, the youth division of YRF, made the comic caper Mere Dad Ki Maruti which turned out to be a sleeper hit. Chopra and YRF end the year with Dhoom 3, slated for a Christmas release. 

Films: Jab Tak Hai Jaan, Shuddh Desi Romance, Aurangzeb, Mere Dad Ki Maruti
The Movers & Shakers of Film Production

Ekta Kapoor
The mercurial head of Balaji Motion Pictures made headlines for the wrong reasons with the gangster saga Once Upon Ay Time In Mumbaai Dobaara!. While the film clashed at the box office with the mammoth Chennai Express on Eid, Kapoor alleged that its producers UTV and Red Chillies Entertainments had armtwisted exhibitors leaving her with very few screens to showcase her production. Despite that, the movie’s impact was not lost at the ticket counters.

Films: Once Upon Ay Time In Mumbaai Dobaara!, Shootout at Wadala; co-produced Ek Thi Daayan and Lootera
The Movers & Shakers of Film Production

Arbaaz Khan
He struck gold as a producer in 2010 with Dabangg and managed to replicate that success with its sequel Dabangg 2. Adding to that glory was the fact that he was debuting as a director with the film. According to the grapevine, Khan has sealed his next script, a woman-centric film starring a leading actress. The third instalment of the Dabangg franchise goes on floors in mid-2015.

Film: Dabangg 2

The Movers & Shakers of Film Production

Ritesh Sidhwani / Farhan Akhtar
The friends at Excel Entertainment have a clear division of roles. While Sidhwani takes care of the finances, Akhtar oversees the creative side of film production. Talaash, their joint venture with Aamir Khan Productions, grossed Rs 93 crore and was among the top hits of 2012. Fukrey was a new-age comedy that opened slow but picked up due to positive word-of-mouth. Their next big release is Don 3 directed by Akhtar himself.  

Films: Talaash, Fukrey

The Movers & Shakers of Film Production

Mukesh Bhatt / Mahesh Bhatt
Brothers and co-owners of Vishesh Films, the Bhatts have minted the Murder franchise starting 2004. But Murder 3, directed by Mukesh’s son Vishesh, failed to live up to the hype. Aashiqui 2, however, stormed the box office with collections of Rs 85 crore despite being an unacknowledged remake of Hollywood film A Star Is Born. Their next project is City Lights, which is an official adaptation of British film Metro Manila. 

Films: Aashiqui 2, Murder 3

*Box-office collection in INR; ** Time period for fi lms considered: October 2012 to September 2013 Source:

Images: Roy Kapur and Screwvala: Ganesh Lad / Fotocorp; Karan: Sachin Gokhale; Sidhwani and Akhtar: Sachin Kadvekar / Fotocorp; Aditya: Indian Express Archive; Arbaaz, Mukesh and Mahesh, Ekta: Vikas Khot

(This story appears in the 27 December, 2013 issue of Forbes India. To visit our Archives, click here.)

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  • Sandeep

    These figures are given by any filmi magazine.The economics of the gamble should be the crux of the article.How much percentage of revenue generated by the movie actually goes to the kitty of the producer after deducting over-the-top actors/actresses remuneration and exorbitant production costs,is what matters ultimately.Hope you highlight these issues in your future articles.

    on Dec 17, 2013
    • Sohini

      Thanks for the feedback. This piece takes into account only gross box-office collections because: The producer's cut keeps varying from the first week till as long as the film runs in theatres. Also, top producers can negotiate an actor's remuneration depending on the rapport he / she shares with him / her. And there is no objective estimate of that. And surely no metric either. Plus, for films like Dabangg where Salman has acted for his brother and films like Murder 3, which was directed by Mukesh Bhatt's son, all was in the family. Hence, it is quite difficult to ascertain the exact amount going to the producer's pocket. Taking all this into account, the gross BO-figure was taken as a metric. On your point about us writing on box office collections and the economics behind it, please refer to this:

      on Dec 17, 2013