Rebuilding India’s spaces with nature - Why biophilic design is becoming a perfo...
Forbes India presents Interface Design Guild


Cities like Mumbai teach you a simple lesson: nature rarely arrives on schedule. Yet the places where we work and live still depend on the cognitive calm, sensory richness and human scale that only nature provides. The real opportunity for India is not in inventing new forms of architecture, but in folding nature into the tight, vertical, high-density fabric we already occupy in ways that are purposeful, sustainable and grounded in everyday use.
It’s within this context that Forbes India presents Interface Design Guild turns its attention to biophilic design - the art and science of reconnecting built spaces with nature to support sharper thinking, lower stress and greater wellbeing.
Siddharth Aryamane, Architect at Concept Consilio, puts it simply: “Giving access to natural daylight… is step one in biophilia.”
In cities like Mumbai where space is a luxury, this mindset is powerful. By placing enclosed rooms inward and freeing the perimeter for light, designers build a foundation that allows nature to become part of the space; not an afterthought. Small architectural moves end up dictating how calm, restorative or cognitively sharp a space feels.
Agradeep Mondal, MD – India & SAARC, Interface India, explains Interface’s pioneering role: “We were the pioneers to bring in biophilia in carpet tiles.”
Flooring inspired by pebbles, moss, sand or stone gives people subtle sensory cues that change how they feel in a space; grounding them, energising them or calming them. Because modular carpet tiles can be replaced, rearranged or refreshed without structural work, they also make biophilic retrofits possible in older buildings where intervention options are limited.
This is a crucial point: in India, nature often enters not through large gestures but through textures, lines, edges and surfaces that quietly reshape mood and behaviour.
The reason is emotional, not ornamental. As Aryamane puts it: “Design is all about increasing the happiness quotient.”
When a space feels better, people use it more. And when people use it more, organisations begin seeing the ripple effects in productivity, workplace culture and retention; turning biophilia into a performance strategy, not a soft aesthetic.
Mondal reinforces this from a business lens: “Your employees being happy means it’s a great place to work… they’ll be more energetic and more productive.”
For commercial India, now a global back office with campuses running into hundreds of thousands of square metres, that shift matters.
The principles are straightforward:
Post-pandemic priorities have altered expectations. Employees want healthier environments; organisations want workplaces that people feel attached to. At the same time, manufacturers are localising innovation to match India’s cultural and climatic diversity. Mondal describes India’s design complexity well: “Every 100 kilometres… you have a new color, a new everything.”
This localisation, combined with technologies such as 3D printing, advanced materials and sustainable manufacturing, is making biophilic choices both feasible and appealing.
The next decade of Indian buildings will depend less on decorative greenery and more on ecosystems of light, texture, modularity, and sensory intelligence - a future where you may not always be able to tell what’s natural and what’s man-made, but you’ll feel the difference immediately.
First Published: Jan 27, 2026, 14:24
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