Alfred Hitchcock used trains repeatedly—a place to hatch conspiracies ("Strangers on a Train"), disappear ("The Lady Vanishes") or fall in love ("North by Northwest"), the latter ending with the much-parodied sexual innuendo of a train entering a tunnel.
Journeying through the night is exotic, Martin said.
"And you can move around," he added. "You can't murder someone on a plane and then go back to your seat."
High speed and cramped spaces have made for memorable cinematic set-pieces.
Tom Cruise leapt between a helicopter and a train in the first "Mission: Impossible" and clambered up falling carriages in the most recent.
James Bond is a train enthusiast, from Sean Connery's bruising carriage fight in "From Russia With Love" to Daniel Craig plummeting off one in "Skyfall", via Roger Moore dressed, cringe-inducingly, as a gorilla on a circus train in "Octopussy".
Few have matched the chutzpah of Buster Keaton, whose dedication to realism saw him drive a real locomotive onto a collapsing bridge for 1926's "The General"—the costliest stunt in silent movie history.
Another Bollywood landmark was the fast-paced train robbery with its galloping horses in 1975's "Sholay".
Music and painting
Songwriters have loved the metaphor of trains bringing them home or veering off-track. Johnny Cash dreamed of the "train-a-comin'" to take him away from his cell in "Folsom Prison Blues", while the US band Soul Asylum saw depression as a "Runaway Train".
Cat Stevens called for a "Peace Train" to end the Vietnam War; Ozzy Osbourne feared the Cold War had driven him "off the rails on a crazy train".
Billowing smoke, movement and modernity were ideal fodder for experimental painters.
JMW Turner's "Rain, Steam, and Speed" is one of his most celebrated works, while Claude Monet's 12 paintings of the Gare St Lazare station in Paris were his first series on a single theme.
Sceptical of rapid technological change, Leo Tolstoy made trains a harbinger of doom and death in "Anna Karenina".
In Emile Zola's "The Beast Within" they are relentless machines, mirroring the protagonist's descent into madness.
Trains connect people but can also pull families apart, as they do in Yasujiro Ozu's classic film, "Tokyo Story".
Their arrival could signal the end of an old way of life, such as the villains arriving by train in Sergio Leone's "Once Upon A Time In The West".
Or they could mark the demise of civilisation, like the train in "Snowpiercer", a graphic novel, film and TV series, as an authoritarian prison for the last survivors of a climate apocalypse.