In 1985, when Peter Brook staged his nine-hour production of Mahabharata, it went down as one of the greatest and most memorable productions of all time. The colossal play had 21 actors (Mallika Sarabhai being the only Indian; she played Draupadi) from 16 countries. Brook, then aged 60, took 10 years to prepare for the play, before staging it at the Avignon Theatre Festival in France. Subsequently, it travelled to other places, including Paris and the US.
Thirty years later, Brook, his long-time collaborator Marie-Hélène Estienne and writer Jean-Claude Carrière have come together again to revisit the epic, and produce Battlefield, in which the Bharat family tries to make sense of what they went through in the Kurukshetra battle, and the horrors they experienced themselves and brought on to others.
In an interview during the promotions of the play, Brook said: “We wanted to speak about what happens after the battle. How will the old blind king, who has lost all his sons and all his allies, be able to cope and assume their responsibility with his victorious nephew? On both sides, the leaders go through a moment of profound questioning: The ones who won say, ‘Victory is a defeat’, and the ones who lost admit that ‘they could have prevented that war’. In the Mahabharata, they at least have the strength to ask these questions. Our real audience is [Barack] Obama, [François] Hollande, [Vladimir] Putin and all the presidents. The question is: How do they see their opponents in this day and age?”
The play has been staged in France, Japan, Singapore and the UK before coming to India, where it will be staged at the National Centre for the Performing Arts in Mumbai between March 8 and 12.
Forbes India spoke to Brook and Estienne about what it means to be working on an epic the size and depth of the Mahabharata. Excerpts:
Q. What about the Mahabharata attracted you to make two productions based on the epic?
The Mahabharata is an extraordinary epic. It contains—as the book repeats it all the time—everything. It has been conceived by men of deep knowledge, observation purity, as well as invention. When you enter it, it cannot vanish, it stays in you, it opens doors within yourself and helps you understand the human being and its situation in the world. We did the long version, and little by little, when years passed, it came back, as it had never left us.
Q. Which story within the Mahabharata appeals to you the most?
You cannot tell what attracts you the most in the text, it is so rich. And each time you go back to it, it gives you something new to look at.
Q. Which character(s) do you find most fascinating?
There are so many—Krishna, the heroes, the warriors, the kings, the ascetics, the asuras, the rakshasas. It is a world in itself, with so many aspects of men and gods and nature.
(This story appears in the 18 March, 2016 issue of Forbes India. To visit our Archives, click here.)