The Mumbai-based brand has recently launched its first offline store. Can it survive the cut-throat competition?
During a college trip to Kutch, Gujarat, in 2015, Disha Singh’s batchmates made a startling comment. “Indian handicrafts are a dying art,” one of them said, when the group came across a range of beautifully handcrafted products by folk women that were languishing without a buyer. Singh wanted to change the perspective. That’s what led to the launch of D2C accessories brand Zouk, christened after the literal meaning of the word Zouk, a vibrant and high energy dance form, and a modification of Souk, a name for a bazaar.
In 2016, Singh, along with her husband Pradeep Krishnakumar, started operations from a small factory in Thane, Mumbai, by manufacturing 20 laptop bags. Today, the brand offers a range of products–from bags and footwear to wallets and accessories. So far, the brand was an e-commerce D2C player with a strong online presence. As part of its expansion plans, it brand opened its first flagship store in Navi Mumbai on July 1.
At the centre of it all remains their shared passion for promoting India’s heritage and supporting local artisans. “Our vision for Zouk is to be a platform that showcases the beauty and versatility of Indian artistry, good opportunities for artisans and connecting them with a global audience,” says Singh.
According to the Indian Trade Portal, handicrafts is one of the most important sectors in the Indian economy, employing more than seven million people, of which 56 percent are women. The country has 744 handicraft clusters with Surat, Bareilly, Varanasi, Agra, Hyderabad, Lucknow, Chennai, and Mumbai being the major ones.
Zouk employs over 600 artisans across India. The company collaborates directly with them to “preserve traditional techniques and empower them economically”. The co-founders claim that Zouk provides fair wages, safe working conditions, and access to a wider market, helping artisans sustain their craft in the long run. “We ensure the products showcase the skills and artistry of Indian artisans, creating a platform for them to receive recognition and appreciation,” says Krishnakumar.